The other night I sent out a post on my Podcast list (sign up on the upper right hand corner of my blog. Sing up I will be putting out another promotion out there this weekend!).
(Also make sure you scroll down later to take a look at the Lesson I included in this!)
It was announcing that I am about starting to take orders again for theREDstack!
It has actually been unadvertised for the past 3 and a half months.
But here is the thing with it, Fidelio and I are not quite done to the changes we have made. theREDstack got Immediate results for students with that Product and we want to get even better Results with the New Version.
The new stacks are very heavy on Attraction, but using the new ideas of Attraction, It was utilized in the original stacks but now it is thoroughly explained, with more uses of it making it more prominent.
Since I started teaching theREDstack Seminar along with new developments in game some awesome evolutions have taken place. And I will give some examples of this later in the post.
But the main things was that in theREDstack Seminar I build everyone who attends a basic “Attraction Stack”. An Attraction Stack basically gets you from opening into Heavy Rapport, and it begins your Framing, which I think is the most effective part of game.
Now some of the New Ideas in Terms of Attraction don’t use the older models as Attraction being a series of Steps or Routines. How I view Attraction is that it is an Attitude that only opens a door to the use of framing, other emotional reactions, and things like Subpersonalities. Once myself and some of the other Dallas guys started using Attraction in this way, we got way more efficient and consistent results.
When I started writing stacks, I used attraction in this way, and some found it confusing…but those that were able to make use of it got insane results. I have written over 70 of these and within a week 23 people (that I know of ) got SNLs.. That is Insane!
People don’t get those results from taking a Boot Camp. And not everybody wanted their stack to be geared towards SNLs. Remember thery are Custom to your life and your goals in Game.
So here is what I talked about in the email,
I had said that in the past 3 Lair Talks I have done in June (Boston, Detroit, and Charlotte) I had multiple guys tell me they would do anything to do a Boot Camp of a Stack Seminar but they didn’t have the money.
And it sucks to turn down a guy who has ambition but can’t afford the price.
So I decided for July I was going to offer a Shortened Version of the updated REDstack for a discounted price. Normally it is $750 and about 30 pages long, usually carrying you 90mins Plus in set. I have committed that I will only take 10 orders and in the past 30 hours I have sold 5.
You can sign up for them HERE and I will get in contact with you about them once you have signed up!
Now in August My new stacks will be ready and the price will be back up at $750. Yes, those stack will be longer and more thorough, mainly because I need to be fair to my past and future clients.
But this will be a great opportunity for those who have a little less to invest get something that has IMMEDIATE results and at a more affordable price.
Here is an Example of what I got in the last week where I implement parts of my New Stack to a Story a client gave me to look over.
Again if you are interested in getting in on the before they are sold out, Click Here!
They will sell out in the next few days!
Q and A
El Topo,
Using what you gave me from the stack info online I took this story from an Art Show I was featured at.
Can you tell me if I am going in the right direction or not?
I believe that what I created here is what you go for in your stacks. It is a DHV I never knew how to say until I read your stuff, let me know if I am on the right track.
Thanks in advanced,
T-Bone PUA
Here it is-
"It's funny you say that because in my experience often the most important moments in your life aren't what you think they're going to be.
For instance, I wrote this have always been an artist, doing paintings, right?
I don't know if you've ever heard that White Stripes song "Little Room," but he talks about the excitement of sitting in your tiny room, and you're working on something that you just know is great, you know it's really going to blow people's hair back and how magnificent that feeling is. Well, I always felt that way when I would begin painting something in my little room and this time it turned into this big thing.
And the first showing of it was -- God, it was massive. It was in New York and basically the studio took over Tribeca with all the commotion and after party.
But the thing is... my family is really fragmented. My parents had a really angry divorce that -- well, truth is I think they were both the love of each other's lives and even though the couldn't stay married they probably they never really moved from that relationship. So my parents can't really be in the same room together. And my brother and dad hadn't talked for like 9 years at the point. Couldn't invite family friends without my family feeling burned. And I was dating around in LA but nothing serious -- no one I wanted to fly to New York with me and share this major moment.
Hey T-BonePUA,
Sorry for getting back to you so late, but here is what I get from this story.
I think that you get the story telling part of this all. It is actually a pretty good NLP style thread but we are missing some of the FRAMES and Cycling and Maintaining Attraction in the story.
Very good emotional flow, but nothing is pushing and pulling back on the listener, nor Defining them. So you need add some structural technique in it.
I hope this helps!
ET
Here are some frames you want to fit in your stories-
- Spontaneity
- Sexually Aggressive
- Being a Leader
- Takes Risks
- Non-Judgmental
There are more, but right now, you have a great story but no frames taking advantage of it all.
So pretty much all of the story can stay the same. You need 3 things to it.
-You need a beginning description of it(define the frame), which you have but you need to link it to them more.
-You need to use check ins and qualification to have them build more interest
-You need to define the ending a bit better (again you do this, but you can make all those emotions a bit more sexual). At the end the initial frame definition should have way more meaning by the story taking place, and the ending definition.
So let me give you a few examples of what I mean.
The story can start off by leading them with some sort of qualification, that will inspire a story in order to make that qualifier make more sense.
So you can ask or tell one of these
1-Let me ask you this, when did you last meet someone that changed your complete perspective on things?
2- I was wondering, you seem like someone who is close with their family?
3- When was the last time you let something slip through your fingers?
4- I can tell you are someone who has the best stuff happen to you when you go for what's in front of you.
Then based off of their reaction, you lead in to the story. You then need to say what the story is about. In this you need to define the frame you want before going into it. Then the story is just to give the frame emotional identity. Then afterwards you redefine that frame. So based on the qualifier you need to transition (you do this well, but I would do it this way).
for the first question you could say something like this after she answers.
'I mean that is one of the most important things for me, is when you meet someone you need to live for that moment. Actually it makes me think of this White Strips song....'
For the second one you could say...
'That is what I figured, I knew when I met you, you had that warm heart to that wild persona you have too. I mean I have always had kind of a refracted family. And it made me such an internal person. I mean it is almost like I still have my friends that are beautiful people and I consider them my family. But that is something that brings the best out of me, that side which can disappear into myself and that other side that loves to connect. And actually I think you are the same in a way. (she can acknowledge or not) You know that reminds me of this White Stripes song...'
For the third...
'See I have always been someone who has been spontaneous, but it can be a double edged sword.
Like with you there are two sides of you too. I bet your best moments are when you do step over the edge, and sometimes you slip but it can be worth it in the end.
There is this song by the White Stripes...'
For the fourth...
'For me I had to learn to actually be that way. I was not always someone who would go for stuff right off the bat. I think that is how I started writing... but that is how I can pick out people with that sort of crazy mentality to know when to jump, because I have to be around those people to get anywhere...hahahaha. But this is actually a funny story, you know that White Stripes song....'
So also you need some check-ins, to engage them more. This is a Juggler thing. And super effective. This is only one tool to Cycle the Attraction, but remember Attraction is just there to open the door for you, it is not really leading much, it is Baiting!
For instance, when you bring up the song 'little room', that is great but make it interactive.
So you could say something like, 'you know when you're a little kid and you have music that makes things, like what is one of those songs that brings you right back to childhood?'
After she answers then you can continue on.
The reason for this is because you need for them to emotionally interact in your experience as much as possible.
And the story is a bit long, but if you are in comfort with someone it shouldn't be a problem in terms of what logistics. You say you wouldn't talk to anyone at clubs about this, but do you only pick up in clubs? And you could say all this in a club, you would just have to keep maintaining attraction throughout it. We can talk about this over the phone.
But the meat of the story is good, but you just need it to have their emotions hook to the frames.
Now the frames at the end right now are that 'we are meeting now and we can't pass it up'. That is great but they could be so much more. Remember, if you start out with a frame then after they get lost in the story they can define the frame at the end of it.
So you can say something like...
'Like meeting you right now...but don't get any ideas, your wild side might be too much for me.'
'You know one of the things with you, is I don't meet people like this, even in a club. There is so much to a person that you get off when you first meet them. Like right now with you, I can tell so much about you, it is just when egos get in the way we see so many other things. I mean you have this totally cute side to you, but I bet that gets you out of more trouble than people give you credit for.'
'And so we my whole thing is when someone comes my way and I know they are someone I would like to meet, I go out of my way to make that happen. And with you there is so much more than what people know you for. I bet you intimidate most people, like I bet your last boyfriend you held back on him, right?'
Hope that Helps
ET
eltopoPUA@gmail.com
(Also make sure you scroll down later to take a look at the Lesson I included in this!)
It was announcing that I am about starting to take orders again for theREDstack!
It has actually been unadvertised for the past 3 and a half months.
But here is the thing with it, Fidelio and I are not quite done to the changes we have made. theREDstack got Immediate results for students with that Product and we want to get even better Results with the New Version.
The new stacks are very heavy on Attraction, but using the new ideas of Attraction, It was utilized in the original stacks but now it is thoroughly explained, with more uses of it making it more prominent.
Since I started teaching theREDstack Seminar along with new developments in game some awesome evolutions have taken place. And I will give some examples of this later in the post.
But the main things was that in theREDstack Seminar I build everyone who attends a basic “Attraction Stack”. An Attraction Stack basically gets you from opening into Heavy Rapport, and it begins your Framing, which I think is the most effective part of game.
Now some of the New Ideas in Terms of Attraction don’t use the older models as Attraction being a series of Steps or Routines. How I view Attraction is that it is an Attitude that only opens a door to the use of framing, other emotional reactions, and things like Subpersonalities. Once myself and some of the other Dallas guys started using Attraction in this way, we got way more efficient and consistent results.
When I started writing stacks, I used attraction in this way, and some found it confusing…but those that were able to make use of it got insane results. I have written over 70 of these and within a week 23 people (that I know of ) got SNLs.. That is Insane!
People don’t get those results from taking a Boot Camp. And not everybody wanted their stack to be geared towards SNLs. Remember thery are Custom to your life and your goals in Game.
So here is what I talked about in the email,
I had said that in the past 3 Lair Talks I have done in June (Boston, Detroit, and Charlotte) I had multiple guys tell me they would do anything to do a Boot Camp of a Stack Seminar but they didn’t have the money.
And it sucks to turn down a guy who has ambition but can’t afford the price.
So I decided for July I was going to offer a Shortened Version of the updated REDstack for a discounted price. Normally it is $750 and about 30 pages long, usually carrying you 90mins Plus in set. I have committed that I will only take 10 orders and in the past 30 hours I have sold 5.
You can sign up for them HERE and I will get in contact with you about them once you have signed up!
Now in August My new stacks will be ready and the price will be back up at $750. Yes, those stack will be longer and more thorough, mainly because I need to be fair to my past and future clients.
But this will be a great opportunity for those who have a little less to invest get something that has IMMEDIATE results and at a more affordable price.
Here is an Example of what I got in the last week where I implement parts of my New Stack to a Story a client gave me to look over.
Again if you are interested in getting in on the before they are sold out, Click Here!
They will sell out in the next few days!
Q and A
El Topo,
Using what you gave me from the stack info online I took this story from an Art Show I was featured at.
Can you tell me if I am going in the right direction or not?
I believe that what I created here is what you go for in your stacks. It is a DHV I never knew how to say until I read your stuff, let me know if I am on the right track.
Thanks in advanced,
T-Bone PUA
Here it is-
"It's funny you say that because in my experience often the most important moments in your life aren't what you think they're going to be.
For instance, I wrote this have always been an artist, doing paintings, right?
I don't know if you've ever heard that White Stripes song "Little Room," but he talks about the excitement of sitting in your tiny room, and you're working on something that you just know is great, you know it's really going to blow people's hair back and how magnificent that feeling is. Well, I always felt that way when I would begin painting something in my little room and this time it turned into this big thing.
And the first showing of it was -- God, it was massive. It was in New York and basically the studio took over Tribeca with all the commotion and after party.
But the thing is... my family is really fragmented. My parents had a really angry divorce that -- well, truth is I think they were both the love of each other's lives and even though the couldn't stay married they probably they never really moved from that relationship. So my parents can't really be in the same room together. And my brother and dad hadn't talked for like 9 years at the point. Couldn't invite family friends without my family feeling burned. And I was dating around in LA but nothing serious -- no one I wanted to fly to New York with me and share this major moment.
So the night comes and I'm in this hotel room overlooking Central Park in this city that nearly ruined me just a few years before. And I put on this suit -- I was so stressed about what to wear I found this cranky old tailor who actually used to make suits for Frank Sinatra and have him make me one. So I put the suit on and, well, it's perfect. Perfect suit. Perfect hotel. Perfect, perfect, perfect... so why am I feeling so weird?
So I end up going to the Showing of my Painting with my two Managers and my lawyer. They're amazing people -- they would each kill for me and actually have, in their way. But I was like, who am I really sharing this with? You know, my dad, when I would get my report card -- and in elementary school they don't give you As and Cs but things like "demonstrates skill" or "needs improvement." So my dad had this ritual like where we'd read through the report card and he's just read them off like, "class participation... DEMONSTRATES SKILL!" and so on. And that would be our joke for years to come whenever I did something well. So I really missed him not being there to look over at me and say, "DEMONSTRATES SKILL!" during that night.
You know, when you create something from yourself, and other or guests people look at it, see it experience it, and then they look at YOU and don't see what's on the canvas -- it's weird, because it's YOU up there, but no one sees you. All that stuff you thought up in your little room, well, there it is! They see the colors and the flow and interpret it all but they don't see you in your little room, right? So I looked at the who was next to me... empty ... No real family, no real friends... And there I am in my perfect suit on this perfect night and I was like, "Can we just get this over with?"
It's funny, though, amidst all that there was this one thing that happened. You know there was a lot of international press there the other artists. And, you know, no one really knows what I looked like. But somehow this girl -- young, maybe 24, great energy, great style, from some German Radio station or something comes over and knows who I am and does this small interview with me. And we finish it up and then after she turns her recorder off we have this... moment. Like a look passes between us. And do you know -- I know that you do -- but you know how there are certain *looks* you share with someone that can carry the full charge and intensity of, say, a 6 month relationship? It was one of those. Like when you're both really seeing the other person. And it happened as we were kind of walking away from each other. So after the movie I'm looking around for her to... I don't know what for. I guess I really just needed some kind of connection that night. But I was never able to find her. Maybe she had to go file her story. Who knows. But I didn't know then what I know now -- that there are moments, just seconds, sometimes, where you have the opportunity to magnify something with someone. And if you don't take it, you will never have that again. I'm not saying you'll be lonely for ever, but those exact circumstances -- that person, that lighting, that situation, that willingness, that intensity -- will never present itself exactly the same way again. And if you walk away from it you are walking away from it for good. Period. Which is kind of heartbreaking. But also very cool. For instance... you and me, here, talking... "
Hey T-BonePUA,
Sorry for getting back to you so late, but here is what I get from this story.
I think that you get the story telling part of this all. It is actually a pretty good NLP style thread but we are missing some of the FRAMES and Cycling and Maintaining Attraction in the story.
Very good emotional flow, but nothing is pushing and pulling back on the listener, nor Defining them. So you need add some structural technique in it.
I hope this helps!
ET
Here are some frames you want to fit in your stories-
- Spontaneity
- Sexually Aggressive
- Being a Leader
- Takes Risks
- Non-Judgmental
There are more, but right now, you have a great story but no frames taking advantage of it all.
So pretty much all of the story can stay the same. You need 3 things to it.
-You need a beginning description of it(define the frame), which you have but you need to link it to them more.
-You need to use check ins and qualification to have them build more interest
-You need to define the ending a bit better (again you do this, but you can make all those emotions a bit more sexual). At the end the initial frame definition should have way more meaning by the story taking place, and the ending definition.
So let me give you a few examples of what I mean.
The story can start off by leading them with some sort of qualification, that will inspire a story in order to make that qualifier make more sense.
So you can ask or tell one of these
1-Let me ask you this, when did you last meet someone that changed your complete perspective on things?
2- I was wondering, you seem like someone who is close with their family?
3- When was the last time you let something slip through your fingers?
4- I can tell you are someone who has the best stuff happen to you when you go for what's in front of you.
Then based off of their reaction, you lead in to the story. You then need to say what the story is about. In this you need to define the frame you want before going into it. Then the story is just to give the frame emotional identity. Then afterwards you redefine that frame. So based on the qualifier you need to transition (you do this well, but I would do it this way).
for the first question you could say something like this after she answers.
'I mean that is one of the most important things for me, is when you meet someone you need to live for that moment. Actually it makes me think of this White Strips song....'
For the second one you could say...
'That is what I figured, I knew when I met you, you had that warm heart to that wild persona you have too. I mean I have always had kind of a refracted family. And it made me such an internal person. I mean it is almost like I still have my friends that are beautiful people and I consider them my family. But that is something that brings the best out of me, that side which can disappear into myself and that other side that loves to connect. And actually I think you are the same in a way. (she can acknowledge or not) You know that reminds me of this White Stripes song...'
For the third...
'See I have always been someone who has been spontaneous, but it can be a double edged sword.
Like with you there are two sides of you too. I bet your best moments are when you do step over the edge, and sometimes you slip but it can be worth it in the end.
There is this song by the White Stripes...'
For the fourth...
'For me I had to learn to actually be that way. I was not always someone who would go for stuff right off the bat. I think that is how I started writing... but that is how I can pick out people with that sort of crazy mentality to know when to jump, because I have to be around those people to get anywhere...hahahaha. But this is actually a funny story, you know that White Stripes song....'
So also you need some check-ins, to engage them more. This is a Juggler thing. And super effective. This is only one tool to Cycle the Attraction, but remember Attraction is just there to open the door for you, it is not really leading much, it is Baiting!
For instance, when you bring up the song 'little room', that is great but make it interactive.
So you could say something like, 'you know when you're a little kid and you have music that makes things, like what is one of those songs that brings you right back to childhood?'
After she answers then you can continue on.
The reason for this is because you need for them to emotionally interact in your experience as much as possible.
And the story is a bit long, but if you are in comfort with someone it shouldn't be a problem in terms of what logistics. You say you wouldn't talk to anyone at clubs about this, but do you only pick up in clubs? And you could say all this in a club, you would just have to keep maintaining attraction throughout it. We can talk about this over the phone.
But the meat of the story is good, but you just need it to have their emotions hook to the frames.
Now the frames at the end right now are that 'we are meeting now and we can't pass it up'. That is great but they could be so much more. Remember, if you start out with a frame then after they get lost in the story they can define the frame at the end of it.
So you can say something like...
'Like meeting you right now...but don't get any ideas, your wild side might be too much for me.'
'You know one of the things with you, is I don't meet people like this, even in a club. There is so much to a person that you get off when you first meet them. Like right now with you, I can tell so much about you, it is just when egos get in the way we see so many other things. I mean you have this totally cute side to you, but I bet that gets you out of more trouble than people give you credit for.'
'And so we my whole thing is when someone comes my way and I know they are someone I would like to meet, I go out of my way to make that happen. And with you there is so much more than what people know you for. I bet you intimidate most people, like I bet your last boyfriend you held back on him, right?'
Hope that Helps
ET
eltopoPUA@gmail.com
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